Layla Walter is one of Aotearoa’s leading glass artists. This work is a stunning example of the artist’s practice, grand in scale but with an incredible level of detail and delicate palette. We see layered forms and textures through the translucent surfaces, bringing a fourth dimension to the viewing experience.

There Is Nowhere to Go, There Is Nothing to Do brings together a focused selection of photographs by Tāmaki Makaurau based artist Greta Anderson, produced between 1997 and 2022. The exhibition premise anticipated the launch of a new monographic publication of the same title, designed by exhibition curator New Public.

Drawing from a premise that forest health is under threat from kauri dieback (Phytophthora agathidicida) and myrtle rust (Austropuccinia psidii) the exhibiting artists have researched and explored expressions of grief, healing and restoration.

Throughout his life, Don Binney had a strong personal connection with the Waitākere coast and surrounding areas. In 2010 Binney published Drawing the Waitakere Coast which pairs a series of 24 drawings capturing the area from Huia to Te Henga with text by the artist.

This annual award provides a vital platform to showcase the diversity of contemporary clay practices in Aotearoa. Established in 2001, the Portage Ceramic Awards is a hallmark event for Aotearoa’s ceramics community, showcasing some of the best work currently being made, and serving as a platform for dialogue about developments in the ceramics field.

Layla Walter is one of Aotearoa’s leading glass artists. This work is a stunning example of the artist’s practice, grand in scale but with an incredible level of detail and delicate palette. We see layered forms and textures through the translucent surfaces, bringing a fourth dimension to the viewing experience.

There Is Nowhere to Go, There Is Nothing to Do brings together a focused selection of photographs by Tāmaki Makaurau based artist Greta Anderson, produced between 1997 and 2022. The exhibition premise anticipated the launch of a new monographic publication of the same title, designed by exhibition curator New Public.

Drawing from a premise that forest health is under threat from kauri dieback (Phytophthora agathidicida) and myrtle rust (Austropuccinia psidii) the exhibiting artists have researched and explored expressions of grief, healing and restoration.

Throughout his life, Don Binney had a strong personal connection with the Waitākere coast and surrounding areas. In 2010 Binney published Drawing the Waitakere Coast which pairs a series of 24 drawings capturing the area from Huia to Te Henga with text by the artist.

This annual award provides a vital platform to showcase the diversity of contemporary clay practices in Aotearoa. Established in 2001, the Portage Ceramic Awards is a hallmark event for Aotearoa’s ceramics community, showcasing some of the best work currently being made, and serving as a platform for dialogue about developments in the ceramics field.

Layla Walter is one of Aotearoa’s leading glass artists. This work is a stunning example of the artist’s practice, grand in scale but with an incredible level of detail and delicate palette. We see layered forms and textures through the translucent surfaces, bringing a fourth dimension to the viewing experience.

There Is Nowhere to Go, There Is Nothing to Do brings together a focused selection of photographs by Tāmaki Makaurau based artist Greta Anderson, produced between 1997 and 2022. The exhibition premise anticipated the launch of a new monographic publication of the same title, designed by exhibition curator New Public.

Drawing from a premise that forest health is under threat from kauri dieback (Phytophthora agathidicida) and myrtle rust (Austropuccinia psidii) the exhibiting artists have researched and explored expressions of grief, healing and restoration.

Throughout his life, Don Binney had a strong personal connection with the Waitākere coast and surrounding areas. In 2010 Binney published Drawing the Waitakere Coast which pairs a series of 24 drawings capturing the area from Huia to Te Henga with text by the artist.

This annual award provides a vital platform to showcase the diversity of contemporary clay practices in Aotearoa. Established in 2001, the Portage Ceramic Awards is a hallmark event for Aotearoa’s ceramics community, showcasing some of the best work currently being made, and serving as a platform for dialogue about developments in the ceramics field.

Throughout his life, Don Binney had a strong personal connection with the Waitākere coast and surrounding areas. In 2010 Binney published Drawing the Waitakere Coast which pairs a series of 24 drawings capturing the area from Huia to Te Henga with text by the artist.

This annual award provides a vital platform to showcase the diversity of contemporary clay practices in Aotearoa. Established in 2001, the Portage Ceramic Awards is a hallmark event for Aotearoa’s ceramics community, showcasing some of the best work currently being made, and serving as a platform for dialogue about developments in the ceramics field.

Throughout his life, Don Binney had a strong personal connection with the Waitākere coast and surrounding areas. In 2010 Binney published Drawing the Waitakere Coast which pairs a series of 24 drawings capturing the area from Huia to Te Henga with text by the artist.

This annual award provides a vital platform to showcase the diversity of contemporary clay practices in Aotearoa. Established in 2001, the Portage Ceramic Awards is a hallmark event for Aotearoa’s ceramics community, showcasing some of the best work currently being made, and serving as a platform for dialogue about developments in the ceramics field.

Throughout his life, Don Binney had a strong personal connection with the Waitākere coast and surrounding areas. In 2010 Binney published Drawing the Waitakere Coast which pairs a series of 24 drawings capturing the area from Huia to Te Henga with text by the artist.

This annual award provides a vital platform to showcase the diversity of contemporary clay practices in Aotearoa. Established in 2001, the Portage Ceramic Awards is a hallmark event for Aotearoa’s ceramics community, showcasing some of the best work currently being made, and serving as a platform for dialogue about developments in the ceramics field.

Throughout his life, Don Binney had a strong personal connection with the Waitākere coast and surrounding areas. In 2010 Binney published Drawing the Waitakere Coast which pairs a series of 24 drawings capturing the area from Huia to Te Henga with text by the artist.

This annual award provides a vital platform to showcase the diversity of contemporary clay practices in Aotearoa. Established in 2001, the Portage Ceramic Awards is a hallmark event for Aotearoa’s ceramics community, showcasing some of the best work currently being made, and serving as a platform for dialogue about developments in the ceramics field.

Throughout his life, Don Binney had a strong personal connection with the Waitākere coast and surrounding areas. In 2010 Binney published Drawing the Waitakere Coast which pairs a series of 24 drawings capturing the area from Huia to Te Henga with text by the artist.

This annual award provides a vital platform to showcase the diversity of contemporary clay practices in Aotearoa. Established in 2001, the Portage Ceramic Awards is a hallmark event for Aotearoa’s ceramics community, showcasing some of the best work currently being made, and serving as a platform for dialogue about developments in the ceramics field.

Throughout his life, Don Binney had a strong personal connection with the Waitākere coast and surrounding areas. In 2010 Binney published Drawing the Waitakere Coast which pairs a series of 24 drawings capturing the area from Huia to Te Henga with text by the artist.

Alan Ibell’s diorama-like installation in Te Uru’s window space takes its inspiration from an earlier painting by the artist, House at Night (2020). The shift to three-dimensionality allows Ibell to expand further upon themes that regularly underpin his work: enclosure, isolation, the tussle between interior versus exterior.

Since 1998, Hiria Anderson-Mita (Rereahu, Ngāti Maniapoto, Ngāti Apakura) has been capturing the unassuming and intimate details of everyday life in delicate paintings. kuhu mai gathers a selection of paintings that focus on spaces and scenarios unoccupied by human figures.

Small to medium in scale, Williams’ ‘amuse-bouche’ paintings typically comprise colourful, fanciful and delightful arrangements of flowers. Settle Petal is a celebration of these works, and the floral imagery which threads through Williams’ paintings. 

This annual award provides a vital platform to showcase the diversity of contemporary clay practices in Aotearoa. Established in 2001, the Portage Ceramic Awards is a hallmark event for Aotearoa’s ceramics community, showcasing some of the best work currently being made, and serving as a platform for dialogue about developments in the ceramics field.

a selection of works by esteemed New Zealand artist Bill Culbert made between 1974 and 2012 alongside previously unexhibited archival material dating from 1963 onwards.

Throughout his life, Don Binney had a strong personal connection with the Waitākere coast and surrounding areas. In 2010 Binney published Drawing the Waitakere Coast which pairs a series of 24 drawings capturing the area from Huia to Te Henga with text by the artist.

Alan Ibell’s diorama-like installation in Te Uru’s window space takes its inspiration from an earlier painting by the artist, House at Night (2020). The shift to three-dimensionality allows Ibell to expand further upon themes that regularly underpin his work: enclosure, isolation, the tussle between interior versus exterior.

Since 1998, Hiria Anderson-Mita (Rereahu, Ngāti Maniapoto, Ngāti Apakura) has been capturing the unassuming and intimate details of everyday life in delicate paintings. kuhu mai gathers a selection of paintings that focus on spaces and scenarios unoccupied by human figures.

Small to medium in scale, Williams’ ‘amuse-bouche’ paintings typically comprise colourful, fanciful and delightful arrangements of flowers. Settle Petal is a celebration of these works, and the floral imagery which threads through Williams’ paintings. 

This annual award provides a vital platform to showcase the diversity of contemporary clay practices in Aotearoa. Established in 2001, the Portage Ceramic Awards is a hallmark event for Aotearoa’s ceramics community, showcasing some of the best work currently being made, and serving as a platform for dialogue about developments in the ceramics field.

a selection of works by esteemed New Zealand artist Bill Culbert made between 1974 and 2012 alongside previously unexhibited archival material dating from 1963 onwards.

Throughout his life, Don Binney had a strong personal connection with the Waitākere coast and surrounding areas. In 2010 Binney published Drawing the Waitakere Coast which pairs a series of 24 drawings capturing the area from Huia to Te Henga with text by the artist.

Alan Ibell’s diorama-like installation in Te Uru’s window space takes its inspiration from an earlier painting by the artist, House at Night (2020). The shift to three-dimensionality allows Ibell to expand further upon themes that regularly underpin his work: enclosure, isolation, the tussle between interior versus exterior.

Since 1998, Hiria Anderson-Mita (Rereahu, Ngāti Maniapoto, Ngāti Apakura) has been capturing the unassuming and intimate details of everyday life in delicate paintings. kuhu mai gathers a selection of paintings that focus on spaces and scenarios unoccupied by human figures.

Small to medium in scale, Williams’ ‘amuse-bouche’ paintings typically comprise colourful, fanciful and delightful arrangements of flowers. Settle Petal is a celebration of these works, and the floral imagery which threads through Williams’ paintings. 

This annual award provides a vital platform to showcase the diversity of contemporary clay practices in Aotearoa. Established in 2001, the Portage Ceramic Awards is a hallmark event for Aotearoa’s ceramics community, showcasing some of the best work currently being made, and serving as a platform for dialogue about developments in the ceramics field.

a selection of works by esteemed New Zealand artist Bill Culbert made between 1974 and 2012 alongside previously unexhibited archival material dating from 1963 onwards.

Throughout his life, Don Binney had a strong personal connection with the Waitākere coast and surrounding areas. In 2010 Binney published Drawing the Waitakere Coast which pairs a series of 24 drawings capturing the area from Huia to Te Henga with text by the artist.

Alan Ibell’s diorama-like installation in Te Uru’s window space takes its inspiration from an earlier painting by the artist, House at Night (2020). The shift to three-dimensionality allows Ibell to expand further upon themes that regularly underpin his work: enclosure, isolation, the tussle between interior versus exterior.

Since 1998, Hiria Anderson-Mita (Rereahu, Ngāti Maniapoto, Ngāti Apakura) has been capturing the unassuming and intimate details of everyday life in delicate paintings. kuhu mai gathers a selection of paintings that focus on spaces and scenarios unoccupied by human figures.

Small to medium in scale, Williams’ ‘amuse-bouche’ paintings typically comprise colourful, fanciful and delightful arrangements of flowers. Settle Petal is a celebration of these works, and the floral imagery which threads through Williams’ paintings. 

This annual award provides a vital platform to showcase the diversity of contemporary clay practices in Aotearoa. Established in 2001, the Portage Ceramic Awards is a hallmark event for Aotearoa’s ceramics community, showcasing some of the best work currently being made, and serving as a platform for dialogue about developments in the ceramics field.

a selection of works by esteemed New Zealand artist Bill Culbert made between 1974 and 2012 alongside previously unexhibited archival material dating from 1963 onwards.

Throughout his life, Don Binney had a strong personal connection with the Waitākere coast and surrounding areas. In 2010 Binney published Drawing the Waitakere Coast which pairs a series of 24 drawings capturing the area from Huia to Te Henga with text by the artist.

Alan Ibell’s diorama-like installation in Te Uru’s window space takes its inspiration from an earlier painting by the artist, House at Night (2020). The shift to three-dimensionality allows Ibell to expand further upon themes that regularly underpin his work: enclosure, isolation, the tussle between interior versus exterior.

Since 1998, Hiria Anderson-Mita (Rereahu, Ngāti Maniapoto, Ngāti Apakura) has been capturing the unassuming and intimate details of everyday life in delicate paintings. kuhu mai gathers a selection of paintings that focus on spaces and scenarios unoccupied by human figures.

Small to medium in scale, Williams’ ‘amuse-bouche’ paintings typically comprise colourful, fanciful and delightful arrangements of flowers. Settle Petal is a celebration of these works, and the floral imagery which threads through Williams’ paintings. 

This annual award provides a vital platform to showcase the diversity of contemporary clay practices in Aotearoa. Established in 2001, the Portage Ceramic Awards is a hallmark event for Aotearoa’s ceramics community, showcasing some of the best work currently being made, and serving as a platform for dialogue about developments in the ceramics field.

a selection of works by esteemed New Zealand artist Bill Culbert made between 1974 and 2012 alongside previously unexhibited archival material dating from 1963 onwards.

Throughout his life, Don Binney had a strong personal connection with the Waitākere coast and surrounding areas. In 2010 Binney published Drawing the Waitakere Coast which pairs a series of 24 drawings capturing the area from Huia to Te Henga with text by the artist.

Alan Ibell’s diorama-like installation in Te Uru’s window space takes its inspiration from an earlier painting by the artist, House at Night (2020). The shift to three-dimensionality allows Ibell to expand further upon themes that regularly underpin his work: enclosure, isolation, the tussle between interior versus exterior.

Since 1998, Hiria Anderson-Mita (Rereahu, Ngāti Maniapoto, Ngāti Apakura) has been capturing the unassuming and intimate details of everyday life in delicate paintings. kuhu mai gathers a selection of paintings that focus on spaces and scenarios unoccupied by human figures.

Small to medium in scale, Williams’ ‘amuse-bouche’ paintings typically comprise colourful, fanciful and delightful arrangements of flowers. Settle Petal is a celebration of these works, and the floral imagery which threads through Williams’ paintings. 

This annual award provides a vital platform to showcase the diversity of contemporary clay practices in Aotearoa. Established in 2001, the Portage Ceramic Awards is a hallmark event for Aotearoa’s ceramics community, showcasing some of the best work currently being made, and serving as a platform for dialogue about developments in the ceramics field.

a selection of works by esteemed New Zealand artist Bill Culbert made between 1974 and 2012 alongside previously unexhibited archival material dating from 1963 onwards.

Throughout his life, Don Binney had a strong personal connection with the Waitākere coast and surrounding areas. In 2010 Binney published Drawing the Waitakere Coast which pairs a series of 24 drawings capturing the area from Huia to Te Henga with text by the artist.

Alan Ibell’s diorama-like installation in Te Uru’s window space takes its inspiration from an earlier painting by the artist, House at Night (2020). The shift to three-dimensionality allows Ibell to expand further upon themes that regularly underpin his work: enclosure, isolation, the tussle between interior versus exterior.

Since 1998, Hiria Anderson-Mita (Rereahu, Ngāti Maniapoto, Ngāti Apakura) has been capturing the unassuming and intimate details of everyday life in delicate paintings. kuhu mai gathers a selection of paintings that focus on spaces and scenarios unoccupied by human figures.

Small to medium in scale, Williams’ ‘amuse-bouche’ paintings typically comprise colourful, fanciful and delightful arrangements of flowers. Settle Petal is a celebration of these works, and the floral imagery which threads through Williams’ paintings. 

This annual award provides a vital platform to showcase the diversity of contemporary clay practices in Aotearoa. Established in 2001, the Portage Ceramic Awards is a hallmark event for Aotearoa’s ceramics community, showcasing some of the best work currently being made, and serving as a platform for dialogue about developments in the ceramics field.

a selection of works by esteemed New Zealand artist Bill Culbert made between 1974 and 2012 alongside previously unexhibited archival material dating from 1963 onwards.

Throughout his life, Don Binney had a strong personal connection with the Waitākere coast and surrounding areas. In 2010 Binney published Drawing the Waitakere Coast which pairs a series of 24 drawings capturing the area from Huia to Te Henga with text by the artist.

Alan Ibell’s diorama-like installation in Te Uru’s window space takes its inspiration from an earlier painting by the artist, House at Night (2020). The shift to three-dimensionality allows Ibell to expand further upon themes that regularly underpin his work: enclosure, isolation, the tussle between interior versus exterior.

Since 1998, Hiria Anderson-Mita (Rereahu, Ngāti Maniapoto, Ngāti Apakura) has been capturing the unassuming and intimate details of everyday life in delicate paintings. kuhu mai gathers a selection of paintings that focus on spaces and scenarios unoccupied by human figures.

Small to medium in scale, Williams’ ‘amuse-bouche’ paintings typically comprise colourful, fanciful and delightful arrangements of flowers. Settle Petal is a celebration of these works, and the floral imagery which threads through Williams’ paintings. 

This annual award provides a vital platform to showcase the diversity of contemporary clay practices in Aotearoa. Established in 2001, the Portage Ceramic Awards is a hallmark event for Aotearoa’s ceramics community, showcasing some of the best work currently being made, and serving as a platform for dialogue about developments in the ceramics field.

a selection of works by esteemed New Zealand artist Bill Culbert made between 1974 and 2012 alongside previously unexhibited archival material dating from 1963 onwards.

Throughout his life, Don Binney had a strong personal connection with the Waitākere coast and surrounding areas. In 2010 Binney published Drawing the Waitakere Coast which pairs a series of 24 drawings capturing the area from Huia to Te Henga with text by the artist.

Alan Ibell’s diorama-like installation in Te Uru’s window space takes its inspiration from an earlier painting by the artist, House at Night (2020). The shift to three-dimensionality allows Ibell to expand further upon themes that regularly underpin his work: enclosure, isolation, the tussle between interior versus exterior.

Since 1998, Hiria Anderson-Mita (Rereahu, Ngāti Maniapoto, Ngāti Apakura) has been capturing the unassuming and intimate details of everyday life in delicate paintings. kuhu mai gathers a selection of paintings that focus on spaces and scenarios unoccupied by human figures.

Small to medium in scale, Williams’ ‘amuse-bouche’ paintings typically comprise colourful, fanciful and delightful arrangements of flowers. Settle Petal is a celebration of these works, and the floral imagery which threads through Williams’ paintings. 

This annual award provides a vital platform to showcase the diversity of contemporary clay practices in Aotearoa. Established in 2001, the Portage Ceramic Awards is a hallmark event for Aotearoa’s ceramics community, showcasing some of the best work currently being made, and serving as a platform for dialogue about developments in the ceramics field.

a selection of works by esteemed New Zealand artist Bill Culbert made between 1974 and 2012 alongside previously unexhibited archival material dating from 1963 onwards.

Throughout his life, Don Binney had a strong personal connection with the Waitākere coast and surrounding areas. In 2010 Binney published Drawing the Waitakere Coast which pairs a series of 24 drawings capturing the area from Huia to Te Henga with text by the artist.

Alan Ibell’s diorama-like installation in Te Uru’s window space takes its inspiration from an earlier painting by the artist, House at Night (2020). The shift to three-dimensionality allows Ibell to expand further upon themes that regularly underpin his work: enclosure, isolation, the tussle between interior versus exterior.

Since 1998, Hiria Anderson-Mita (Rereahu, Ngāti Maniapoto, Ngāti Apakura) has been capturing the unassuming and intimate details of everyday life in delicate paintings. kuhu mai gathers a selection of paintings that focus on spaces and scenarios unoccupied by human figures.

Small to medium in scale, Williams’ ‘amuse-bouche’ paintings typically comprise colourful, fanciful and delightful arrangements of flowers. Settle Petal is a celebration of these works, and the floral imagery which threads through Williams’ paintings. 

This annual award provides a vital platform to showcase the diversity of contemporary clay practices in Aotearoa. Established in 2001, the Portage Ceramic Awards is a hallmark event for Aotearoa’s ceramics community, showcasing some of the best work currently being made, and serving as a platform for dialogue about developments in the ceramics field.

a selection of works by esteemed New Zealand artist Bill Culbert made between 1974 and 2012 alongside previously unexhibited archival material dating from 1963 onwards.

Throughout his life, Don Binney had a strong personal connection with the Waitākere coast and surrounding areas. In 2010 Binney published Drawing the Waitakere Coast which pairs a series of 24 drawings capturing the area from Huia to Te Henga with text by the artist.

Alan Ibell’s diorama-like installation in Te Uru’s window space takes its inspiration from an earlier painting by the artist, House at Night (2020). The shift to three-dimensionality allows Ibell to expand further upon themes that regularly underpin his work: enclosure, isolation, the tussle between interior versus exterior.

Since 1998, Hiria Anderson-Mita (Rereahu, Ngāti Maniapoto, Ngāti Apakura) has been capturing the unassuming and intimate details of everyday life in delicate paintings. kuhu mai gathers a selection of paintings that focus on spaces and scenarios unoccupied by human figures.

Small to medium in scale, Williams’ ‘amuse-bouche’ paintings typically comprise colourful, fanciful and delightful arrangements of flowers. Settle Petal is a celebration of these works, and the floral imagery which threads through Williams’ paintings. 

This annual award provides a vital platform to showcase the diversity of contemporary clay practices in Aotearoa. Established in 2001, the Portage Ceramic Awards is a hallmark event for Aotearoa’s ceramics community, showcasing some of the best work currently being made, and serving as a platform for dialogue about developments in the ceramics field.

a selection of works by esteemed New Zealand artist Bill Culbert made between 1974 and 2012 alongside previously unexhibited archival material dating from 1963 onwards.

Throughout his life, Don Binney had a strong personal connection with the Waitākere coast and surrounding areas. In 2010 Binney published Drawing the Waitakere Coast which pairs a series of 24 drawings capturing the area from Huia to Te Henga with text by the artist.

Alan Ibell’s diorama-like installation in Te Uru’s window space takes its inspiration from an earlier painting by the artist, House at Night (2020). The shift to three-dimensionality allows Ibell to expand further upon themes that regularly underpin his work: enclosure, isolation, the tussle between interior versus exterior.

Since 1998, Hiria Anderson-Mita (Rereahu, Ngāti Maniapoto, Ngāti Apakura) has been capturing the unassuming and intimate details of everyday life in delicate paintings. kuhu mai gathers a selection of paintings that focus on spaces and scenarios unoccupied by human figures.

Small to medium in scale, Williams’ ‘amuse-bouche’ paintings typically comprise colourful, fanciful and delightful arrangements of flowers. Settle Petal is a celebration of these works, and the floral imagery which threads through Williams’ paintings. 

This annual award provides a vital platform to showcase the diversity of contemporary clay practices in Aotearoa. Established in 2001, the Portage Ceramic Awards is a hallmark event for Aotearoa’s ceramics community, showcasing some of the best work currently being made, and serving as a platform for dialogue about developments in the ceramics field.

a selection of works by esteemed New Zealand artist Bill Culbert made between 1974 and 2012 alongside previously unexhibited archival material dating from 1963 onwards.

Throughout his life, Don Binney had a strong personal connection with the Waitākere coast and surrounding areas. In 2010 Binney published Drawing the Waitakere Coast which pairs a series of 24 drawings capturing the area from Huia to Te Henga with text by the artist.

Alan Ibell’s diorama-like installation in Te Uru’s window space takes its inspiration from an earlier painting by the artist, House at Night (2020). The shift to three-dimensionality allows Ibell to expand further upon themes that regularly underpin his work: enclosure, isolation, the tussle between interior versus exterior.

Since 1998, Hiria Anderson-Mita (Rereahu, Ngāti Maniapoto, Ngāti Apakura) has been capturing the unassuming and intimate details of everyday life in delicate paintings. kuhu mai gathers a selection of paintings that focus on spaces and scenarios unoccupied by human figures.

Small to medium in scale, Williams’ ‘amuse-bouche’ paintings typically comprise colourful, fanciful and delightful arrangements of flowers. Settle Petal is a celebration of these works, and the floral imagery which threads through Williams’ paintings. 

This annual award provides a vital platform to showcase the diversity of contemporary clay practices in Aotearoa. Established in 2001, the Portage Ceramic Awards is a hallmark event for Aotearoa’s ceramics community, showcasing some of the best work currently being made, and serving as a platform for dialogue about developments in the ceramics field.

a selection of works by esteemed New Zealand artist Bill Culbert made between 1974 and 2012 alongside previously unexhibited archival material dating from 1963 onwards.

Throughout his life, Don Binney had a strong personal connection with the Waitākere coast and surrounding areas. In 2010 Binney published Drawing the Waitakere Coast which pairs a series of 24 drawings capturing the area from Huia to Te Henga with text by the artist.

Alan Ibell’s diorama-like installation in Te Uru’s window space takes its inspiration from an earlier painting by the artist, House at Night (2020). The shift to three-dimensionality allows Ibell to expand further upon themes that regularly underpin his work: enclosure, isolation, the tussle between interior versus exterior.

Since 1998, Hiria Anderson-Mita (Rereahu, Ngāti Maniapoto, Ngāti Apakura) has been capturing the unassuming and intimate details of everyday life in delicate paintings. kuhu mai gathers a selection of paintings that focus on spaces and scenarios unoccupied by human figures.

Small to medium in scale, Williams’ ‘amuse-bouche’ paintings typically comprise colourful, fanciful and delightful arrangements of flowers. Settle Petal is a celebration of these works, and the floral imagery which threads through Williams’ paintings. 

This annual award provides a vital platform to showcase the diversity of contemporary clay practices in Aotearoa. Established in 2001, the Portage Ceramic Awards is a hallmark event for Aotearoa’s ceramics community, showcasing some of the best work currently being made, and serving as a platform for dialogue about developments in the ceramics field.

a selection of works by esteemed New Zealand artist Bill Culbert made between 1974 and 2012 alongside previously unexhibited archival material dating from 1963 onwards.

Throughout his life, Don Binney had a strong personal connection with the Waitākere coast and surrounding areas. In 2010 Binney published Drawing the Waitakere Coast which pairs a series of 24 drawings capturing the area from Huia to Te Henga with text by the artist.

Alan Ibell’s diorama-like installation in Te Uru’s window space takes its inspiration from an earlier painting by the artist, House at Night (2020). The shift to three-dimensionality allows Ibell to expand further upon themes that regularly underpin his work: enclosure, isolation, the tussle between interior versus exterior.

Since 1998, Hiria Anderson-Mita (Rereahu, Ngāti Maniapoto, Ngāti Apakura) has been capturing the unassuming and intimate details of everyday life in delicate paintings. kuhu mai gathers a selection of paintings that focus on spaces and scenarios unoccupied by human figures.

Small to medium in scale, Williams’ ‘amuse-bouche’ paintings typically comprise colourful, fanciful and delightful arrangements of flowers. Settle Petal is a celebration of these works, and the floral imagery which threads through Williams’ paintings. 

This annual award provides a vital platform to showcase the diversity of contemporary clay practices in Aotearoa. Established in 2001, the Portage Ceramic Awards is a hallmark event for Aotearoa’s ceramics community, showcasing some of the best work currently being made, and serving as a platform for dialogue about developments in the ceramics field.

a selection of works by esteemed New Zealand artist Bill Culbert made between 1974 and 2012 alongside previously unexhibited archival material dating from 1963 onwards.

Throughout his life, Don Binney had a strong personal connection with the Waitākere coast and surrounding areas. In 2010 Binney published Drawing the Waitakere Coast which pairs a series of 24 drawings capturing the area from Huia to Te Henga with text by the artist.

Alan Ibell’s diorama-like installation in Te Uru’s window space takes its inspiration from an earlier painting by the artist, House at Night (2020). The shift to three-dimensionality allows Ibell to expand further upon themes that regularly underpin his work: enclosure, isolation, the tussle between interior versus exterior.

Since 1998, Hiria Anderson-Mita (Rereahu, Ngāti Maniapoto, Ngāti Apakura) has been capturing the unassuming and intimate details of everyday life in delicate paintings. kuhu mai gathers a selection of paintings that focus on spaces and scenarios unoccupied by human figures.

Small to medium in scale, Williams’ ‘amuse-bouche’ paintings typically comprise colourful, fanciful and delightful arrangements of flowers. Settle Petal is a celebration of these works, and the floral imagery which threads through Williams’ paintings. 

This annual award provides a vital platform to showcase the diversity of contemporary clay practices in Aotearoa. Established in 2001, the Portage Ceramic Awards is a hallmark event for Aotearoa’s ceramics community, showcasing some of the best work currently being made, and serving as a platform for dialogue about developments in the ceramics field.

a selection of works by esteemed New Zealand artist Bill Culbert made between 1974 and 2012 alongside previously unexhibited archival material dating from 1963 onwards.

Throughout his life, Don Binney had a strong personal connection with the Waitākere coast and surrounding areas. In 2010 Binney published Drawing the Waitakere Coast which pairs a series of 24 drawings capturing the area from Huia to Te Henga with text by the artist.

Alan Ibell’s diorama-like installation in Te Uru’s window space takes its inspiration from an earlier painting by the artist, House at Night (2020). The shift to three-dimensionality allows Ibell to expand further upon themes that regularly underpin his work: enclosure, isolation, the tussle between interior versus exterior.

Since 1998, Hiria Anderson-Mita (Rereahu, Ngāti Maniapoto, Ngāti Apakura) has been capturing the unassuming and intimate details of everyday life in delicate paintings. kuhu mai gathers a selection of paintings that focus on spaces and scenarios unoccupied by human figures.

Small to medium in scale, Williams’ ‘amuse-bouche’ paintings typically comprise colourful, fanciful and delightful arrangements of flowers. Settle Petal is a celebration of these works, and the floral imagery which threads through Williams’ paintings. 

This annual award provides a vital platform to showcase the diversity of contemporary clay practices in Aotearoa. Established in 2001, the Portage Ceramic Awards is a hallmark event for Aotearoa’s ceramics community, showcasing some of the best work currently being made, and serving as a platform for dialogue about developments in the ceramics field.

a selection of works by esteemed New Zealand artist Bill Culbert made between 1974 and 2012 alongside previously unexhibited archival material dating from 1963 onwards.

Throughout his life, Don Binney had a strong personal connection with the Waitākere coast and surrounding areas. In 2010 Binney published Drawing the Waitakere Coast which pairs a series of 24 drawings capturing the area from Huia to Te Henga with text by the artist.

Alan Ibell’s diorama-like installation in Te Uru’s window space takes its inspiration from an earlier painting by the artist, House at Night (2020). The shift to three-dimensionality allows Ibell to expand further upon themes that regularly underpin his work: enclosure, isolation, the tussle between interior versus exterior.

Since 1998, Hiria Anderson-Mita (Rereahu, Ngāti Maniapoto, Ngāti Apakura) has been capturing the unassuming and intimate details of everyday life in delicate paintings. kuhu mai gathers a selection of paintings that focus on spaces and scenarios unoccupied by human figures.

Small to medium in scale, Williams’ ‘amuse-bouche’ paintings typically comprise colourful, fanciful and delightful arrangements of flowers. Settle Petal is a celebration of these works, and the floral imagery which threads through Williams’ paintings. 

This annual award provides a vital platform to showcase the diversity of contemporary clay practices in Aotearoa. Established in 2001, the Portage Ceramic Awards is a hallmark event for Aotearoa’s ceramics community, showcasing some of the best work currently being made, and serving as a platform for dialogue about developments in the ceramics field.

a selection of works by esteemed New Zealand artist Bill Culbert made between 1974 and 2012 alongside previously unexhibited archival material dating from 1963 onwards.

Throughout his life, Don Binney had a strong personal connection with the Waitākere coast and surrounding areas. In 2010 Binney published Drawing the Waitakere Coast which pairs a series of 24 drawings capturing the area from Huia to Te Henga with text by the artist.

Alan Ibell’s diorama-like installation in Te Uru’s window space takes its inspiration from an earlier painting by the artist, House at Night (2020). The shift to three-dimensionality allows Ibell to expand further upon themes that regularly underpin his work: enclosure, isolation, the tussle between interior versus exterior.

Since 1998, Hiria Anderson-Mita (Rereahu, Ngāti Maniapoto, Ngāti Apakura) has been capturing the unassuming and intimate details of everyday life in delicate paintings. kuhu mai gathers a selection of paintings that focus on spaces and scenarios unoccupied by human figures.

Small to medium in scale, Williams’ ‘amuse-bouche’ paintings typically comprise colourful, fanciful and delightful arrangements of flowers. Settle Petal is a celebration of these works, and the floral imagery which threads through Williams’ paintings. 

This annual award provides a vital platform to showcase the diversity of contemporary clay practices in Aotearoa. Established in 2001, the Portage Ceramic Awards is a hallmark event for Aotearoa’s ceramics community, showcasing some of the best work currently being made, and serving as a platform for dialogue about developments in the ceramics field.

a selection of works by esteemed New Zealand artist Bill Culbert made between 1974 and 2012 alongside previously unexhibited archival material dating from 1963 onwards.

Throughout his life, Don Binney had a strong personal connection with the Waitākere coast and surrounding areas. In 2010 Binney published Drawing the Waitakere Coast which pairs a series of 24 drawings capturing the area from Huia to Te Henga with text by the artist.

Alan Ibell’s diorama-like installation in Te Uru’s window space takes its inspiration from an earlier painting by the artist, House at Night (2020). The shift to three-dimensionality allows Ibell to expand further upon themes that regularly underpin his work: enclosure, isolation, the tussle between interior versus exterior.

Since 1998, Hiria Anderson-Mita (Rereahu, Ngāti Maniapoto, Ngāti Apakura) has been capturing the unassuming and intimate details of everyday life in delicate paintings. kuhu mai gathers a selection of paintings that focus on spaces and scenarios unoccupied by human figures.

Small to medium in scale, Williams’ ‘amuse-bouche’ paintings typically comprise colourful, fanciful and delightful arrangements of flowers. Settle Petal is a celebration of these works, and the floral imagery which threads through Williams’ paintings. 

This annual award provides a vital platform to showcase the diversity of contemporary clay practices in Aotearoa. Established in 2001, the Portage Ceramic Awards is a hallmark event for Aotearoa’s ceramics community, showcasing some of the best work currently being made, and serving as a platform for dialogue about developments in the ceramics field.

a selection of works by esteemed New Zealand artist Bill Culbert made between 1974 and 2012 alongside previously unexhibited archival material dating from 1963 onwards.

Throughout his life, Don Binney had a strong personal connection with the Waitākere coast and surrounding areas. In 2010 Binney published Drawing the Waitakere Coast which pairs a series of 24 drawings capturing the area from Huia to Te Henga with text by the artist.

Alan Ibell’s diorama-like installation in Te Uru’s window space takes its inspiration from an earlier painting by the artist, House at Night (2020). The shift to three-dimensionality allows Ibell to expand further upon themes that regularly underpin his work: enclosure, isolation, the tussle between interior versus exterior.

Since 1998, Hiria Anderson-Mita (Rereahu, Ngāti Maniapoto, Ngāti Apakura) has been capturing the unassuming and intimate details of everyday life in delicate paintings. kuhu mai gathers a selection of paintings that focus on spaces and scenarios unoccupied by human figures.

Small to medium in scale, Williams’ ‘amuse-bouche’ paintings typically comprise colourful, fanciful and delightful arrangements of flowers. Settle Petal is a celebration of these works, and the floral imagery which threads through Williams’ paintings. 

This annual award provides a vital platform to showcase the diversity of contemporary clay practices in Aotearoa. Established in 2001, the Portage Ceramic Awards is a hallmark event for Aotearoa’s ceramics community, showcasing some of the best work currently being made, and serving as a platform for dialogue about developments in the ceramics field.

a selection of works by esteemed New Zealand artist Bill Culbert made between 1974 and 2012 alongside previously unexhibited archival material dating from 1963 onwards.

Throughout his life, Don Binney had a strong personal connection with the Waitākere coast and surrounding areas. In 2010 Binney published Drawing the Waitakere Coast which pairs a series of 24 drawings capturing the area from Huia to Te Henga with text by the artist.

Alan Ibell’s diorama-like installation in Te Uru’s window space takes its inspiration from an earlier painting by the artist, House at Night (2020). The shift to three-dimensionality allows Ibell to expand further upon themes that regularly underpin his work: enclosure, isolation, the tussle between interior versus exterior.

Since 1998, Hiria Anderson-Mita (Rereahu, Ngāti Maniapoto, Ngāti Apakura) has been capturing the unassuming and intimate details of everyday life in delicate paintings. kuhu mai gathers a selection of paintings that focus on spaces and scenarios unoccupied by human figures.

Small to medium in scale, Williams’ ‘amuse-bouche’ paintings typically comprise colourful, fanciful and delightful arrangements of flowers. Settle Petal is a celebration of these works, and the floral imagery which threads through Williams’ paintings. 

This annual award provides a vital platform to showcase the diversity of contemporary clay practices in Aotearoa. Established in 2001, the Portage Ceramic Awards is a hallmark event for Aotearoa’s ceramics community, showcasing some of the best work currently being made, and serving as a platform for dialogue about developments in the ceramics field.

a selection of works by esteemed New Zealand artist Bill Culbert made between 1974 and 2012 alongside previously unexhibited archival material dating from 1963 onwards.

Throughout his life, Don Binney had a strong personal connection with the Waitākere coast and surrounding areas. In 2010 Binney published Drawing the Waitakere Coast which pairs a series of 24 drawings capturing the area from Huia to Te Henga with text by the artist.

Alan Ibell’s diorama-like installation in Te Uru’s window space takes its inspiration from an earlier painting by the artist, House at Night (2020). The shift to three-dimensionality allows Ibell to expand further upon themes that regularly underpin his work: enclosure, isolation, the tussle between interior versus exterior.

Since 1998, Hiria Anderson-Mita (Rereahu, Ngāti Maniapoto, Ngāti Apakura) has been capturing the unassuming and intimate details of everyday life in delicate paintings. kuhu mai gathers a selection of paintings that focus on spaces and scenarios unoccupied by human figures.

Small to medium in scale, Williams’ ‘amuse-bouche’ paintings typically comprise colourful, fanciful and delightful arrangements of flowers. Settle Petal is a celebration of these works, and the floral imagery which threads through Williams’ paintings. 

This annual award provides a vital platform to showcase the diversity of contemporary clay practices in Aotearoa. Established in 2001, the Portage Ceramic Awards is a hallmark event for Aotearoa’s ceramics community, showcasing some of the best work currently being made, and serving as a platform for dialogue about developments in the ceramics field.

a selection of works by esteemed New Zealand artist Bill Culbert made between 1974 and 2012 alongside previously unexhibited archival material dating from 1963 onwards.