by Damian Skinner, Karl Chitham and Kolokesa Mahina-Tuai<\/b><\/p>\n
A major new history of craft that spans three centuries of making and thinking in Aotearoa New Zealand and the wider Moana (Pacific). Paying attention to P\u0101keh\u0101, M\u0101ori, and island nations of the wider Moana, and old and new migrant makers and their works, this book is a history of craft understood as an idea that shifts and changes over time. At the heart of this book lie the relationships between P\u0101keh\u0101, M\u0101ori and wider Moana artistic practices that, at different times and for different reasons, have been described by the term craft. It tells the previously untold story of craft in Aotearoa New Zealand, so that the connections, as well as the differences and tensions, can be identified and explored. This book proposes a new idea of craft \u2013 one that acknowledges P\u0101keh\u0101, M\u0101ori and wider Moana histories of making, as well as diverse community perspectives towards objects and their uses and meanings.<\/p>\n
Reviews<\/strong> Crafting Aotearoa <\/em>in Urbis \u201c \u2026 first and foremost an acknowledgement of history as it should be acknowledged: a kind of retelling that is resolved to start a \u2018dynamic conversation\u2019 between M\u0101ori, P\u0101keh\u0101 and wider Moana Oceania (Pacific) craftspeople and their work \u2026 it\u2019s a wellspring of knowledge on what has constituted three centuries of making in New Zealand.\u201d<\/p>\n Crafting Aotearoa<\/em> in the New Zealand Listener, reviewed by Sally Blundell \u201cCrafting Aotearoa <\/em>charts it all, providing an important overview of all things cut and carved, stitched and sewn, hammered and hewn to build a uniquely New Zealand story of cultural change.\u201d<\/p>\n Honourable mention in art critic Paul Wood’s picks for the best art books of 2019 \u201cAn indispensable, encyclopaedic and comprehensive reference to three centuries of craft in New Zealand, Crafting Aotearoa<\/em> manages the difficult task of marshalling the contentious categories of craft, art, folk art, design and indigenous practices in a way that will surely set the standard for future scholarship \u2026 Although there have been sporadic books on craft in Aotearoa before, this is the first of its scope, and for a reference work it is surprisingly readable and not at all bogged down in its scholarship or the ever-volatile politics of craft.\u201d<\/p>\n Crafting Aotearoa<\/em> on NZ Booklovers website \u201cCrafting Aotearoa<\/em> is broad in its reach, visually rich and includes a wealth of historical images as well as new photography \u2026 The cover begs you to pick the book up, to stroke it, to lift the cover and discover what other treasures lie within \u2026 It is clear that everyone involved in the creation of it over the years cares deeply about craft, about inclusion, and about our shared artistic history. A stunning book about the important cultural history of making in Aotearoa and the wider Moana.\u201d<\/p>\n ISBN 978-0-9941362-7-5 Price: $85<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":" Crafting Aotearoa: A Cultural History of Making in New Zealand and the Wider Moana Oceania by Damian Skinner, Karl Chitham and Kolokesa Mahina-Tuai A major new history of craft that spans three centuries of making and thinking in Aotearoa New Zealand and the wider Moana (Pacific). Paying attention to P\u0101keh\u0101, M\u0101ori, and island nations of the wider Moana, and old and new migrant makers and their works, this book is a history of craft understood as an idea that shifts and changes over time. At the heart of this book lie the relationships between P\u0101keh\u0101, M\u0101ori and wider Moana artistic practices that, at different times and for different reasons, have been described by the term craft. It tells the previously untold story of craft in Aotearoa New Zealand, so that the connections, as well as the differences and tensions, can be identified and explored. This book proposes a new idea of craft \u2013 one that acknowledges P\u0101keh\u0101, M\u0101ori and wider Moana histories of making, as well as diverse community perspectives towards objects and their uses and meanings. Reviews Crafting Aotearoa in New Zealand Geographic. \u201cCrafting Aotearoa is ambitious, to say the least. Across 460-plus pages it surveys three centuries of craft in New Zealand and the broader Pacific, examining its role in defining cultural identity, […]<\/p>\n","protected":false},"author":1,"featured_media":2673,"template":"","meta":{"_acf_changed":false,"inline_featured_image":false},"product_cat":[35],"product_tag":[],"acf":[],"_links":{"self":[{"href":"https:\/\/www.teuru.org.nz\/wp-json\/wp\/v2\/product\/2667"}],"collection":[{"href":"https:\/\/www.teuru.org.nz\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/www.teuru.org.nz\/wp-json\/wp\/v2\/types\/product"}],"author":[{"embeddable":true,"href":"https:\/\/www.teuru.org.nz\/wp-json\/wp\/v2\/users\/1"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.teuru.org.nz\/wp-json\/wp\/v2\/media\/2673"}],"wp:attachment":[{"href":"https:\/\/www.teuru.org.nz\/wp-json\/wp\/v2\/media?parent=2667"}],"wp:term":[{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/www.teuru.org.nz\/wp-json\/wp\/v2\/product_cat?post=2667"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/www.teuru.org.nz\/wp-json\/wp\/v2\/product_tag?post=2667"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n\tCrafting Aotearoa <\/em>in New Zealand Geographic. \u201cCrafting Aotearoa is ambitious, to say the least. Across 460-plus pages it surveys three centuries of craft in New Zealand and the broader Pacific, examining its role in defining cultural identity, and the tensions and transformations that occur as it engages with outside knowledge and practices \u2026 a delight to dip into. For a significant work, it carries its load lightly\u201d<\/p>\n
\n\tHardback, 496 pages
\n\tPublication date: November 2019
\n\tPublisher: Te Papa Press<\/p>\n